I've mentioned my sister, Joan, here a few times and anyone who has known me knows what all that entails. There's no doubt that her condition has been very difficult for myself and my family, as would any family that had a member that required constant care.
This isn't about my sister, though. This one is about my mother, Josie.
While I was a student at UC Riverside, I had a conversation with a visiting professor to which the subject about my sister and how my family came up. As the conversation got rolling, to the point where we had ended up in his office and sitting in chairs, I told him about my mom, and how she took care of her.
He responded by saying, "Your mother is a saint."
I can agree with what he said, in the sense that my mother is wholly selfless when it comes to my sister. She's over fifty, and she takes care of what is essentially a toddler in a 27-year-old's body. She will move her from her bed to the bathroom, then back. She grooms her. She talks to her in playful ways that embarrass me. Even as I write this, my sister groans loudly, and my mom responds with her own playful sounds. "Ooy," she says at this moment, "What iiis it? I will beeee there, daarrling."
In better days, when my sister was more mobile and could eat solids, the rest of the family helped share the burden of her care. But in my sister's current state, only my mom and my dad know how to operate her g-tube. I think I do a decent job with the suction machine, used to remove the saliva that Joan can't swallow.
Still, it's my mother that does most of the work, despite her own disabilities. She once had a job at the INS doing paper work (she even processed Martin Short's papers) until her constricted spine, that she had since birth, finally damaged some nerves, almost paralyzing her completely. With time, she is able to walk, but if she needs to move for long periods she has to take a cane with her.
"I see this as a blessing," she once told me, "because now I have more time to take care of Joan." See? Selfless.
Still, she is my mother, and has all the quirks and annoying ticks that any child notices about their parent. She's very judgmental, and emotional to boot... a deadly combination. She mothers me way too much, even when I don't want the help. And her stories (not the ones about her first experiences in the US, they're amazing [and the inspiration for my book/a few stories]. No, just the mundane stuff, especially any kind of gossip) are boring, and she takes way too long to get to the point. Looks like I take a bit after my mother. Sigh.
Regardless of how I or my other two siblings (I obviously can't speak for them) feel about her at her worst, I have to give my gratitude to her for everything else. Though I worry about how her caretaker duties are affecting her own sanity and health, there's no doubt that my family would have fallen apart if she had not stepped up. Also, there is no doubt that Joan would not have lived as long as she does without my mom's constant attention and expressions of love. And, for me, I don't have to focus my worries to my sister, and instead turn it on my own life.
Thank you, Mom.
Update:
Now, with an audio recording!
Update #2:
Apparently, there is no audio recording now!
Tuesday, January 25, 2011
Monday, December 13, 2010
A Memory Musing
Let me tell you of a place in my mind.
It is Huntington Beach, or at least it is of one that I have pulled from memory. The sand is hot because it is midday and, unlike most places in my mind, the sky is very sunny. I step onto the sand with no shoes on. It does not burn. There are a lot of thick callouses on my feet. I am seven-years-old, and I walk barefoot almost any chance I get. Even the broken glass underneath the sand does not bother me, they just dent my scaly feet. It is 1989 in the middle of July. There is a lot of broken glass these days. This is the Orange County that I remember. This is the Orange County that I will recall should I tell you that I lived there.
The sun sets as soon as I have both feet in the sand. There is a fire burning in a fire pit. I do not know if there were fire pits in 1989. I do not remember any. So, I submit this paragraph as imagination - an ideal. I walk to the fire pit. The heat from the fire begins to sting and broken glass still pokes at my feet. The fire itself is bright. It is all that I can see in this darkness. I am short at seven-years-old, the fire is as tall as my shoulders. There is a murmur behind the fire. They are the mixed voices of my family: parents, their siblings, my siblings, cousins, and their friends. Their sounds fill the quiet like an unseen wind ensemble. Only the fire snaps its resistance to the music.
This next part is also imagination. I reach the fire and sit next to it. I still can not see my family behind the fire. I do not know if they can see me. They do not speak to me. I do not bother to talk. My face grows hot from the fire. I close my eyes as I lean toward the fire. I feel all the dirt and salt and sand burn off my face. Warmth enters my lungs and bleeds into the rest of my body. I am coated by heat, surrounded by voices I can not hear, darkness I can not see, and glass shards I can not feel. My thoughts are gone. The only presence is the fire - its smoke holds a taint of sweetness from the burned wood.
It is Huntington Beach, or at least it is of one that I have pulled from memory. The sand is hot because it is midday and, unlike most places in my mind, the sky is very sunny. I step onto the sand with no shoes on. It does not burn. There are a lot of thick callouses on my feet. I am seven-years-old, and I walk barefoot almost any chance I get. Even the broken glass underneath the sand does not bother me, they just dent my scaly feet. It is 1989 in the middle of July. There is a lot of broken glass these days. This is the Orange County that I remember. This is the Orange County that I will recall should I tell you that I lived there.
The sun sets as soon as I have both feet in the sand. There is a fire burning in a fire pit. I do not know if there were fire pits in 1989. I do not remember any. So, I submit this paragraph as imagination - an ideal. I walk to the fire pit. The heat from the fire begins to sting and broken glass still pokes at my feet. The fire itself is bright. It is all that I can see in this darkness. I am short at seven-years-old, the fire is as tall as my shoulders. There is a murmur behind the fire. They are the mixed voices of my family: parents, their siblings, my siblings, cousins, and their friends. Their sounds fill the quiet like an unseen wind ensemble. Only the fire snaps its resistance to the music.
This next part is also imagination. I reach the fire and sit next to it. I still can not see my family behind the fire. I do not know if they can see me. They do not speak to me. I do not bother to talk. My face grows hot from the fire. I close my eyes as I lean toward the fire. I feel all the dirt and salt and sand burn off my face. Warmth enters my lungs and bleeds into the rest of my body. I am coated by heat, surrounded by voices I can not hear, darkness I can not see, and glass shards I can not feel. My thoughts are gone. The only presence is the fire - its smoke holds a taint of sweetness from the burned wood.
Saturday, September 18, 2010
Quotes - E.B. White
I've been on a non-fiction kick lately so I pored through The Art of the Personal Essay: An Anthology from the Classical Era to the Present, compiled by Phillip Lopate.
Here are a few words pulled from E.B. White's wonderful essay, The Ring of Time:
For the writers among us (or maybe for anyone, really)
It has been ambitious and plucky of me to attempt to describe what is indescribable, and I have failed, as I knew I would. But I have discharged my duty to society; and besides, a writer, like an acrobat, must occasionally try a stunt that is too much for him.For everyone
The only sense that is common, in the long run, is the sense of change - and we all instinctively avoid it, and object to the passage of time, and would rather have none of it.I've glossed over a lot of the essay, especially regarding the African-American Civil Rights Movement (which has, apparently, been left out of some of the reproductions found online). Overall, the essay is masterfully written, and well worth reading in its entirety.
Oh, and "plucky" is a word that needs to grow into regular usage. Who's with me?
Thursday, September 02, 2010
Huh? What?!
If you’re observant enough, you can catch me staring at the ceiling, or a blank computer screen, or my fingernails, or the wall. If so, you’ve just caught me while I was lost in my mind. Ask me what I was doing, and I’d have a heck of a time trying to tell you.
Fact is, I was gone: from the room, from my senses, and from the moment.
Much of what brings this on eludes me. I’ve tried to think it through, to see where my absentmindedness came from, but I end up in the same place, and with my face pointed in the same direction: toward the ceiling, toward the blank computer screen, toward my fingernails…
While I can’t recall much from my thoughts of the problem, my bookshelf contains evidence of my search. “Dissociation” and “Stress” are words on some of the spines of my books. From what I gleaned by reading, my inattentiveness is how I cope with stress, a mechanism I used to survive some traumatic event as a kid.
Now, I haven’t seen a professional in a while so I’m not diagnosing myself, but this is something I want to explore a bit.
So, I’ve been affected by trauma. It’s something that I try not to admit because I’m afraid I’d use it to get pity, and I hate it when I do that. But, I’ll make that claim for the sake of this topic. I guess the trauma involves my sister's, Joan's, declining health, or the witnessing of it. It’s a topic that I have touched on before, so I won’t go through much of it now. I don’t feel like talking about it anyway.
Even thinking on it for a minute, I can see how I moved myself inward, trying to ignore the partially garbled words of her decayed speech, and successfully ignoring her when her speech turned into garbled moans. It was easier to stare at the wall and pretend that it emitted a white noise, coating all of my senses, drawing me away from the reality of her condition. At the few moments when I'm aware and I hear her gargle her spit, I cringe. It's a reaction that I can’t help.
Perhaps it’s my awkward way of mourning for what she’s lost. I'd like to think so, at least.
I don’t think that this trauma is the sole cause for my loopy mind. I haven’t ruled out the lack of sleep, poor diet, the Internet, and that awful commute on the 91 freeway as culprits or co-conspirators. Also, there’s only so much I can glean from this introspection before I start navel gazing.
And if you see me do that, be kind and poke me on the shoulder. Thanks!
Fact is, I was gone: from the room, from my senses, and from the moment.
Much of what brings this on eludes me. I’ve tried to think it through, to see where my absentmindedness came from, but I end up in the same place, and with my face pointed in the same direction: toward the ceiling, toward the blank computer screen, toward my fingernails…
While I can’t recall much from my thoughts of the problem, my bookshelf contains evidence of my search. “Dissociation” and “Stress” are words on some of the spines of my books. From what I gleaned by reading, my inattentiveness is how I cope with stress, a mechanism I used to survive some traumatic event as a kid.
Now, I haven’t seen a professional in a while so I’m not diagnosing myself, but this is something I want to explore a bit.
So, I’ve been affected by trauma. It’s something that I try not to admit because I’m afraid I’d use it to get pity, and I hate it when I do that. But, I’ll make that claim for the sake of this topic. I guess the trauma involves my sister's, Joan's, declining health, or the witnessing of it. It’s a topic that I have touched on before, so I won’t go through much of it now. I don’t feel like talking about it anyway.
Even thinking on it for a minute, I can see how I moved myself inward, trying to ignore the partially garbled words of her decayed speech, and successfully ignoring her when her speech turned into garbled moans. It was easier to stare at the wall and pretend that it emitted a white noise, coating all of my senses, drawing me away from the reality of her condition. At the few moments when I'm aware and I hear her gargle her spit, I cringe. It's a reaction that I can’t help.
Perhaps it’s my awkward way of mourning for what she’s lost. I'd like to think so, at least.
I don’t think that this trauma is the sole cause for my loopy mind. I haven’t ruled out the lack of sleep, poor diet, the Internet, and that awful commute on the 91 freeway as culprits or co-conspirators. Also, there’s only so much I can glean from this introspection before I start navel gazing.
And if you see me do that, be kind and poke me on the shoulder. Thanks!
Sunday, March 28, 2010
If Only I Could
The days I hate the most are when I hear my sister, Joan, cry from her room. Depending on how urgently she needs something, or how much pain she is in, her cries range from whimpers to loud groans. It's the only way she can communicate, having lost her speech to encephalitis (so I've been told) back when she was about nine or ten years old.
What bothers me about those days is the feeling of helplessness. It's been a long and frustrating path of deterioration for her: she lost her ability to walk about seven years back, and her ability to swallow food two years back (this event, in particular, I can write volumes on... when I'm ready). I spent most of my adolescence caring for her. Both of my parents worked at the time. When I came home from school, I waited for her bus; led her to the bathroom, back when she could walk; fed her, back when she could eat; and sat with her in front of the TV. Then I stopped, either because I was too busy or I was tired of the responsibility. Between then and now, I've forgotten how to care for her. It wouldn't matter anyway; given her current state, I wouldn't know what to do for her.
Guilt sets in too. I made the decision to stop, or so I remember. If I was busy, then I stopped because I preferred my own activities over my sister. If I was sick of caring for her, then I placed my need to stop over her needs. Either way, the guilt is persistent and hard to shake off. And it gets worse as she regresses.
What used to keep me sane when I heard or saw Joan was a sense of entitlement. I traded in most of my teen years, so I saw it fair to break away from my responsibilities to her. I earned my right to be guilt-free, I thought. I learned since that this freedom isn't attained that easily or, more likely, at all. I've been sad since she became ill, and will probably be sad even after she's gone. So I live, knowing that I don't have a choice. To move forward knowing that I have little control is the closest I can ever get to freedom, or sanity.
I hope Joan knows this too. There are only a few things she concerns herself with: she's in pain and she groans to let us know; though her strength has faded a bit, she still likes to smile and laugh (especially when she watches "I Love Lucy"); and she continues to see each day, as long as she's here. At least, I hope so. If she worries about her condition, I don't know if I can deal with it.
[Update]
Now with audio!
What bothers me about those days is the feeling of helplessness. It's been a long and frustrating path of deterioration for her: she lost her ability to walk about seven years back, and her ability to swallow food two years back (this event, in particular, I can write volumes on... when I'm ready). I spent most of my adolescence caring for her. Both of my parents worked at the time. When I came home from school, I waited for her bus; led her to the bathroom, back when she could walk; fed her, back when she could eat; and sat with her in front of the TV. Then I stopped, either because I was too busy or I was tired of the responsibility. Between then and now, I've forgotten how to care for her. It wouldn't matter anyway; given her current state, I wouldn't know what to do for her.
Guilt sets in too. I made the decision to stop, or so I remember. If I was busy, then I stopped because I preferred my own activities over my sister. If I was sick of caring for her, then I placed my need to stop over her needs. Either way, the guilt is persistent and hard to shake off. And it gets worse as she regresses.
What used to keep me sane when I heard or saw Joan was a sense of entitlement. I traded in most of my teen years, so I saw it fair to break away from my responsibilities to her. I earned my right to be guilt-free, I thought. I learned since that this freedom isn't attained that easily or, more likely, at all. I've been sad since she became ill, and will probably be sad even after she's gone. So I live, knowing that I don't have a choice. To move forward knowing that I have little control is the closest I can ever get to freedom, or sanity.
I hope Joan knows this too. There are only a few things she concerns herself with: she's in pain and she groans to let us know; though her strength has faded a bit, she still likes to smile and laugh (especially when she watches "I Love Lucy"); and she continues to see each day, as long as she's here. At least, I hope so. If she worries about her condition, I don't know if I can deal with it.
[Update]
Now with audio!
Wednesday, January 27, 2010
Up Late
Anxiety has gotten the better of me again, so I'm awake when I really want and need sleep.
What am I so worked up about? A lot, it so happens. I wish I have the energy to explain it all, and I hope to do so in the future. Part of why I mention this now is so I can remind myself to elaborate.
However, I will say this: every time something different happens, beyond the space of my room, my mind obsesses over it. When I start a new book, I lose sleep. When I meet a new friend, I can't rest. When I try a new sleep schedule (for, you know, like a job), I might as well forget about it because I'll never pass out.
In the end, I am left with a feeling that I can't put down.
What am I so worked up about? A lot, it so happens. I wish I have the energy to explain it all, and I hope to do so in the future. Part of why I mention this now is so I can remind myself to elaborate.
However, I will say this: every time something different happens, beyond the space of my room, my mind obsesses over it. When I start a new book, I lose sleep. When I meet a new friend, I can't rest. When I try a new sleep schedule (for, you know, like a job), I might as well forget about it because I'll never pass out.
In the end, I am left with a feeling that I can't put down.
Sunday, January 24, 2010
Advertisment
Cheesy Crackers: More Free, More Me
Less Focus, For Now. I'll figure out a structure and style that works for me, eventually. Preferably one that isn't wordy, but isn't forced either.
If any of that makes any sense. Which brings me to this:
Coming Soon[er or later]: A Blog Post In Which I Am Satisfied With Its Coherency
Less Focus, For Now. I'll figure out a structure and style that works for me, eventually. Preferably one that isn't wordy, but isn't forced either.
If any of that makes any sense. Which brings me to this:
Coming Soon[er or later]: A Blog Post In Which I Am Satisfied With Its Coherency
Saturday, January 23, 2010
A Milestone
Last night, I bought books off of Half.com and Amazon Marketplace, via Cheapesttextbooks.com.
I worry that they will rip me off and I won't see my money or my books. Still, I can check off "Saving Ridiculous Amounts of Money Through Unknown, Online Sellers" from my list. I am now aware of one more piece of the Internet; one step closer to knowing what my peers, most surely, have already known for years.
I feel it is my duty to catch up. I can't lag too far behind the times - older people need me.
I worry that they will rip me off and I won't see my money or my books. Still, I can check off "Saving Ridiculous Amounts of Money Through Unknown, Online Sellers" from my list. I am now aware of one more piece of the Internet; one step closer to knowing what my peers, most surely, have already known for years.
I feel it is my duty to catch up. I can't lag too far behind the times - older people need me.
Wednesday, January 20, 2010
In my mind, embarrassment has a value and is created with each post I make here. And, in my mind, its value can degrade over time.
In this case, I like to hide for a few months until the embarrassment dissipates. Then I'll post something else - that gives me a new reason to hide again.
I can also bury the value through consistent posting. You know, that whole law of diminishing returns deal. People will get so used to my weirdness and idiocy that they'll take it as something normal.
Maybe I'll try the latter this time.
In this case, I like to hide for a few months until the embarrassment dissipates. Then I'll post something else - that gives me a new reason to hide again.
I can also bury the value through consistent posting. You know, that whole law of diminishing returns deal. People will get so used to my weirdness and idiocy that they'll take it as something normal.
Maybe I'll try the latter this time.
Just Short
Perhaps, like my stature, my ability to communicate is rather short.
I think big when I go through my day. I think about, especially when I was younger, cool situations that I could be in, like I was in a TV show. And there has been more than one instance when I came to some kind of philosophical thought that was worth a good essay or two. But in the end, all I'm willing to put down is a summary of my thoughts, messily packed in a few sentences.
I don't even know if I'm making any sense at this moment, and I've kept myself from acting because of it. Am I afraid? Am I confused? Maybe a little bit of both. I've been so used to having other people tell me what to do that I freeze in place when I want to command myself.
Does any of this make sense? Probably not, but I suppose I shouldn't care.
In publishing this, do I look like a fool? Should I care if I do?
Again, I suppose I shouldn't, but this goes against my feelings.
I think big when I go through my day. I think about, especially when I was younger, cool situations that I could be in, like I was in a TV show. And there has been more than one instance when I came to some kind of philosophical thought that was worth a good essay or two. But in the end, all I'm willing to put down is a summary of my thoughts, messily packed in a few sentences.
I don't even know if I'm making any sense at this moment, and I've kept myself from acting because of it. Am I afraid? Am I confused? Maybe a little bit of both. I've been so used to having other people tell me what to do that I freeze in place when I want to command myself.
Does any of this make sense? Probably not, but I suppose I shouldn't care.
In publishing this, do I look like a fool? Should I care if I do?
Again, I suppose I shouldn't, but this goes against my feelings.
Late Night Musing
Note the singular.
I'm sitting around - on a computer, in UCR, after 1AM.
This is a quick post since I haven't had the time to reflect... What I can say right now is that I feel a bit of nostalgia, regret, and confusion as I walk through the campus. Now, why do you think that is?
I'm sitting around - on a computer, in UCR, after 1AM.
This is a quick post since I haven't had the time to reflect... What I can say right now is that I feel a bit of nostalgia, regret, and confusion as I walk through the campus. Now, why do you think that is?
Tuesday, July 07, 2009
Something fun (and lucrative) to try.
I was checking out The Mark on the Wall when I found a link to submission guidelines for - get this - a Norton Anthology of Hint Fiction.
Here is the first part of the post:
Other things worth noting is that they're paying $25 for each story - with a limit of two submissions. Or you could submit three, if you're like me, and linked the guidelines to your blog or twitter, just like I'm doing right... now.
Here is the first part of the post:
Tentatively scheduled for the fall of 2010, W.W. Norton will publish an anthology of Hint Fiction. What is Hint Fiction? It’s a story of 25 words or less that suggests a larger, more complex story. The thesis of the anthology is to prove that a story 25 words or less can have as much impact as a story 2,500 words or longer. The anthology will include between 100 and 150 stories. We want your best work.
Other things worth noting is that they're paying $25 for each story - with a limit of two submissions. Or you could submit three, if you're like me, and linked the guidelines to your blog or twitter, just like I'm doing right... now.
Tuesday, June 23, 2009
Delayed News
I didn't want to mention anything until I figured out all my grades, since it would be embarrassing enough to renege if things turned south after this announcement. However, the results are in, so...
I graduated from the University of California - Riverside with a Bachelor's of Arts in Creative Writing.
That was fun to type. I think I'll open up a word document and type it all again a dozen more times.
I graduated from the University of California - Riverside with a Bachelor's of Arts in Creative Writing.
That was fun to type. I think I'll open up a word document and type it all again a dozen more times.
Friday, May 22, 2009
An Old Dinosaur
I was feeling self conscious this morning, so I looked up my name on the internet and found this old thing. It's pretty bad stuff, but I figure it's worth sharing for a chuckle or two.
However, even though the writing is crude, I can remember the passion that drove me to create. I'm a better at the craft now, but I've lost that energy.
I didn't know any better then, so I had blindly put down words on the page without much regard to rhythm, images, or even comprehension - which is probably why I enjoyed making the contents for that web page. I know more now, but my writing has slowed down in a big way.
At any rate, enjoy the past while I try to figure out the login for the site, because it's going down as soon as I find it. If I ever do...
However, even though the writing is crude, I can remember the passion that drove me to create. I'm a better at the craft now, but I've lost that energy.
I didn't know any better then, so I had blindly put down words on the page without much regard to rhythm, images, or even comprehension - which is probably why I enjoyed making the contents for that web page. I know more now, but my writing has slowed down in a big way.
At any rate, enjoy the past while I try to figure out the login for the site, because it's going down as soon as I find it. If I ever do...
Tuesday, May 12, 2009
Stomachs and Crickets
I can't sleep. My stomach feels like it's running circles under my lungs. I take short breaths as I listen to the crickets chirp. If I was tired, the sound would seem distant, filtered by the fog of my drowsiness. But the chirping is loud. I'm not bothered by the noise, however, so much as the fact that I'm alert. I can't relax.
Is it because I have a lot on my mind? Sure. There is a journalism class that I'd rather sleep through, a Shakespeare lecture I haven't read for, and a creative non-fiction class late in the evening. The last one is especially stressful because I have to critique essays I haven't looked at yet. I also have my own essay up for scrutiny, which is horrible.
I had proposed something different. It was supposed to be a fun paper describing the awesomeness of my plain looks. I had good conversations with friends that I wanted to include in the essay, and I had a point that I was excited to convey: you don't have to jazz yourself up to feel important (actual phrase under construction). However, I had a hard time writing about it. I kept getting bored of the prose and I struggled with concrete details. So, I wrote about the difficulty of writing concretely. I ended up submitting a three and a half page whine about how I can't write. At least, that's how I see it, kind of like this blog. Am I not whining right now?
But I digress. What is really bothering me is my fiction writing, which is not happening. It's my sudden obsession with details, or rather the lack of it in my writing that's causing this.
It used to be that if you let me do my thing, I would come back with a story that had mostly abstractions. "He was angry," "it didn't make sense," and "she liked to sing" made good statements but were backed up by sparse or weak concrete details like "he punched the wall," "they raised their eyebrows," or she hummed a lot." And I would have been fine with all that before. But lately it has bothered me. I would look at a phrase like "he punched the wall" and ask, "okay, so what?" or "what about it?" and realize that there are many answers to choose from. The number of options scared me.
It's a classic case of fearing what's new. Trying to write more concretely is forcing me to think in a way I'm not used to. My usual reaction to the unfamiliar is to hide - so I stop writing.
I'm having a hell of a time fighting the urge to run from the fear. It's hard to move forward when the default mindset is to stand still. But my tense stomach (developing ulcer?) and insomnia are pushing me to get out of this slump. I figure if I conquer this fear and get used to it, these physiological problems will go away. It's not the healthiest way to write, but I'll take what I can get.
Is it because I have a lot on my mind? Sure. There is a journalism class that I'd rather sleep through, a Shakespeare lecture I haven't read for, and a creative non-fiction class late in the evening. The last one is especially stressful because I have to critique essays I haven't looked at yet. I also have my own essay up for scrutiny, which is horrible.
I had proposed something different. It was supposed to be a fun paper describing the awesomeness of my plain looks. I had good conversations with friends that I wanted to include in the essay, and I had a point that I was excited to convey: you don't have to jazz yourself up to feel important (actual phrase under construction). However, I had a hard time writing about it. I kept getting bored of the prose and I struggled with concrete details. So, I wrote about the difficulty of writing concretely. I ended up submitting a three and a half page whine about how I can't write. At least, that's how I see it, kind of like this blog. Am I not whining right now?
But I digress. What is really bothering me is my fiction writing, which is not happening. It's my sudden obsession with details, or rather the lack of it in my writing that's causing this.
It used to be that if you let me do my thing, I would come back with a story that had mostly abstractions. "He was angry," "it didn't make sense," and "she liked to sing" made good statements but were backed up by sparse or weak concrete details like "he punched the wall," "they raised their eyebrows," or she hummed a lot." And I would have been fine with all that before. But lately it has bothered me. I would look at a phrase like "he punched the wall" and ask, "okay, so what?" or "what about it?" and realize that there are many answers to choose from. The number of options scared me.
It's a classic case of fearing what's new. Trying to write more concretely is forcing me to think in a way I'm not used to. My usual reaction to the unfamiliar is to hide - so I stop writing.
I'm having a hell of a time fighting the urge to run from the fear. It's hard to move forward when the default mindset is to stand still. But my tense stomach (developing ulcer?) and insomnia are pushing me to get out of this slump. I figure if I conquer this fear and get used to it, these physiological problems will go away. It's not the healthiest way to write, but I'll take what I can get.
Sunday, April 26, 2009
Okay, I changed my mind.
I’ve found myself cowering from the computer and its word processor. Coming up with words to express on paper feels like a chore. I can’t just throw everything down on the page and call it a day, no. I have to make sure that it’s coherent, not only to me, but to a professor, a classmate, or some friends. To do that is to tap into a part of my mind that’s sick of analyzing sentences and pulling out meaning or significance from them. The need to string ideas together, to create a flow of phrases that culminate into something useful or entertaining to the reader, has, I feel, taxed me so much that I’ve had to stop writing.
I’ve missed turning in a paper, a thesis submission, and many writing sessions on my notebook. I think it’s burnout, but I don’t want to call it that. I want to think that my mind is overwhelmed. My standards for my writing have changed. I demand more of it, but I don’t feel like I’ve improved to my expectations. Even this blog is starting to look like a gigantic mess to me. I am disheartened.
I hope this is just another problem to get through, a hitch to overcome if I am to ever call myself a writer. Framing it this way makes the whole thing seem less despairing, less pointless. It’s still painful though.
Yeah, yeah, yeah... Writing's hard. I really should just deal with it, huh?
I'm blocked because I'm not keeping my pen to the paper long enough.
Well, I guess it's time to go to work...
Friday, April 24, 2009
Into the Darkness I Go
I’ve been blocked lately.
I’ve found myself cowering from the computer and its word processor. Coming up with words to express on paper feels like a chore. I can’t just throw everything down on the page and call it a day, no. I have to make sure that it’s coherent, not only to me, but to a professor, a classmate, or some friends. To do that is to tap into a part of my mind that’s sick of analyzing sentences and pulling out meaning or significance from them. The need to string ideas together, to create a flow of phrases that culminate into something useful or entertaining to the reader, has, I feel, taxed me so much that I’ve had to stop writing.
I’ve missed turning in a paper, a thesis submission, and many writing sessions on my notebook. I think it’s burnout, but I don’t want to call it that. I want to think that my mind is overwhelmed. My standards for my writing have changed. I demand more of it, but I don’t feel like I’ve improved to my expectations. Even this blog is starting to look like a gigantic mess to me. I am disheartened.
I hope this is just another problem to get through, a hitch to overcome if I am to ever call myself a writer. Framing it this way makes the whole thing seem less despairing, less pointless. It’s still painful though.
I’ve found myself cowering from the computer and its word processor. Coming up with words to express on paper feels like a chore. I can’t just throw everything down on the page and call it a day, no. I have to make sure that it’s coherent, not only to me, but to a professor, a classmate, or some friends. To do that is to tap into a part of my mind that’s sick of analyzing sentences and pulling out meaning or significance from them. The need to string ideas together, to create a flow of phrases that culminate into something useful or entertaining to the reader, has, I feel, taxed me so much that I’ve had to stop writing.
I’ve missed turning in a paper, a thesis submission, and many writing sessions on my notebook. I think it’s burnout, but I don’t want to call it that. I want to think that my mind is overwhelmed. My standards for my writing have changed. I demand more of it, but I don’t feel like I’ve improved to my expectations. Even this blog is starting to look like a gigantic mess to me. I am disheartened.
I hope this is just another problem to get through, a hitch to overcome if I am to ever call myself a writer. Framing it this way makes the whole thing seem less despairing, less pointless. It’s still painful though.
Tuesday, December 16, 2008
Updates
Another quarter has ended at UCR. It was rather hectic, in the sense that I made it rather hectic. I tend to assume the metaphorical, and sometimes literal, fetal position every time I have to work on a homework assignment (see: procrastination). Sure, I destroy the opportunity to work comfortably, but I'll still do the job - once I'm sufficiently worried about passing the class.
It's like I want to see how much I can screw myself over before I finally get to work. Some people call it a fear of failure. A really smart professor had called it the fear of success. Either way, I've kept myself so busy from anxiety that I couldn't write here. Yet, I wonder how much I would write, even without the anxiety of school...
At any rate, here is a list of highlights:
It's like I want to see how much I can screw myself over before I finally get to work. Some people call it a fear of failure. A really smart professor had called it the fear of success. Either way, I've kept myself so busy from anxiety that I couldn't write here. Yet, I wonder how much I would write, even without the anxiety of school...
At any rate, here is a list of highlights:
- Had a couple of English classes last quarter which practically beat a habit of reading into me. I read every day now. However, I think I'll shorten my leisure reading to twenty-five or fifty pages a day, instead of the one-hundred and fifty pages a night I had to read for class.
- I can safely say that my writing has improved from a summer of reading and practice, along with last quarter's readings and practice, to the point that:
- I wrote a story that seems to have the potential to be published.
- I wrote a story that seems to be publishable as is.
- Oh yeah, I moved to Riverside. Life has been more tolerable ever since.
Monday, October 20, 2008
Picking Things Apart
One day, I hope to get it.
One day, I hope that all the years of taking in books on writing, seminars on writing, discussions on writing; poring through novels, publish short stories, unpublished short stories, short stories from workshops; and transmuting all those experiences into my free writes, outlines, shitty rough first drafts, and second-third-fourth-plus drafts will help me understand and write a good story.
In many ways, I hope that “mastery” in writing will become automatic, in the sense that improvement will come without an awareness of it. For a couple of years, I’ve tried to bend my consciousness to become a good writer. I have read stories/novels/books on writing, not to enjoy them but to dissect them. I peered through every sentence, looked at every word and tried to make sense of their organization to see how they achieved their effects. While it’s important to analyze text, I became obsessed over it. It was like cleaning grout from a tiled floor rather than a game of Where’s Waldo? I spent dozens of minutes per sentence. I didn’t get a lot of reading done. In the end, I kept giving up because of the frustration.
So, I’ve thrown away a little bit of the control freak inside of me. I’m less likely to initiate anxiety attacks. It’ll also keep me from repeatedly thudding my head against the wall, metaphorically speaking. But I’ll still maintain a keen eye into the workings of fiction. I just don’t want to look so close that I miss something.
Tuesday, September 30, 2008
Anxiety of Influence: A Play in One Act
(Note: I am aware that I haven't followed the conventions of scriptwriting. Leave me be.)
ACT I
[SCENE: A dialog in MS Word that precedes some writing.]
Me 1:
What are you afraid of?
Me 2:
I don’t know. I just don’t think that any of my descriptions and details are any good.
Me 1:
Why not?
Me 2:
I don’t know, I think about all the effective writing I’ve read and I’m afraid.
Me 1:
Why?
Me 2:
I don’t know. I seem to be inspired by the words of other people, but when I try to write them myself, I get scared.
Me 1:
Shouldn’t you write anyway? Most of the people that you admire are dead.
Me 2:
I know. I still need to get used to it.
Me 1:
Why don’t you think about it for a minute. Sensory imagery and all that shit. Get into the zone, don’t worry about other people and how they write.
Me 2:
I know, I’ve heard that before, but I can’t help it.
Me 1:
Do it, you should. And you should really avoid continuing this conversation, all you’re doing is distracting yourself.
Me 2:
I know I am, I’m just afraid, that’s all.
Me 1:
I know, don’t worry about it. Just chill out and, again, work out the details in your head, live the scene and your head and report what you see. That’s all you need to do. You don’t have to worry about flowering it up. Trust that you will get it eventually.
Me 2:
I don’t know if I can.
Me 1:
Come on, at least try.
Me 2:
Okay… let me try.
THE END
Upon reflection, I realize that this blog entry has also been an exercise in distraction. Back to work!
ACT I
[SCENE: A dialog in MS Word that precedes some writing.]
Me 1:
What are you afraid of?
Me 2:
I don’t know. I just don’t think that any of my descriptions and details are any good.
Me 1:
Why not?
Me 2:
I don’t know, I think about all the effective writing I’ve read and I’m afraid.
Me 1:
Why?
Me 2:
I don’t know. I seem to be inspired by the words of other people, but when I try to write them myself, I get scared.
Me 1:
Shouldn’t you write anyway? Most of the people that you admire are dead.
Me 2:
I know. I still need to get used to it.
Me 1:
Why don’t you think about it for a minute. Sensory imagery and all that shit. Get into the zone, don’t worry about other people and how they write.
Me 2:
I know, I’ve heard that before, but I can’t help it.
Me 1:
Do it, you should. And you should really avoid continuing this conversation, all you’re doing is distracting yourself.
Me 2:
I know I am, I’m just afraid, that’s all.
Me 1:
I know, don’t worry about it. Just chill out and, again, work out the details in your head, live the scene and your head and report what you see. That’s all you need to do. You don’t have to worry about flowering it up. Trust that you will get it eventually.
Me 2:
I don’t know if I can.
Me 1:
Come on, at least try.
Me 2:
Okay… let me try.
THE END
Upon reflection, I realize that this blog entry has also been an exercise in distraction. Back to work!
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